Friday, May 8, 2015

Birthday: Thomas Pynchon (born 1937)



Whether or not you a reader of the great (and reclusive) novelists Thomas Pynchon (pictured above) and William Gaddis, the tale spun in this timeline:

Who's Writing Whose Writing? Gaddis, Green, Pynchon, and Tinasky

and this Wikipedia article:

Wanda Tinasky

is completely mesmerizing. I think it would make an excellent movie if told in an appropriate style (Charlie Kaufman! The Fates are calling you!), but anyone who attempted to make such a movie while Pynchon is still alive would undoubtedly get sued by him. However, the courts generally protect dramatic representations of "public figures," which Tom is whether he likes it or not, so I say to any inspired party, have at it! This material is simply too splendid to resist.



Basically, what is involved here is a heap of mysterious people and personae. Pynchon is even more secretive than the late Gaddis (above) was - Gaddis eventually loosened up a bit - but neither has been an open book. From the get-go, some took the two to be the same person. "Jack Green," Gaddis's early champion, was also believed by some to be an alter-ego of Gaddis, although it would appear he was a rebellious actuary who assumed a new identity:

Spring 1957: Christopher Carlisle Reid walks out of his Manhattan job as an actuary for Metropolitan Life Insurance, throws his tie and dress shirt into the fountain in Madison Square, then goes home and throws his razor, clock and mirror out the window. He soon changes his name to Jack Green (from a horse-racing tip sheet, Jack’s Little Green Card) and sets to work typing, mimeographing and distributing newspaper out of a storefront at 225 East 5th Street.

As time went on, a minor beat poet, Tom Hawkins, becomes fascinated by these identity questions, and in a series of letters published in Northern California newspapers in the Eighties under the pseudonym "Wanda Tinasky," purportedly a bag lady, he asserted that Pynchon, Gaddis, and Green were identical. Pynchon revealed an extensive familiarity with that part of Northern California in his 1990 novel Vineland, which led some to finger him as "Tinasky."

Thus, depending upon your interpretation, there were one, two, three, or four writers. How postmodern can you get!

Meanwhile, the increasingly destitute Tom Hawkins had bludgeoned his wife Kathleen to death in 1988 and then, after living with the body for a few days, set fire to their house and drove himself off a cliff. That would have meant the end of Wanda Tinasky, too, except that by now there were Tinasky copycats, a fact that should have pleased Gaddis, whose massive first novel The Recognitions is organized around the theme of forgery, and Pynchon, whose obsessive interest in paranoia is evident everywhere in his work.

It took a lot of effort by literary scholars Steven Moore and Don Foster to suss out all this bizarrerie, and of course they become fully-fledged characters in the story, which is the equal of a Gaddis or Pynchon novel.

Birthday: Saul Bass (1920-1996)



In the Fifties and Sixties, nothing could kick off a film like a title sequence by Saul Bass. Bass later showed himself to be a considerable film-maker in his own right with the excellent 1974 science fiction film Phase IV; I wish he had kept on with directing.

Here is the Bass opener to Otto Preminger's Anatomy of a Murder, knock-out credits for a knock-out film:

 


Anatomy of a Murder (Criterion Collection)

Thursday, May 7, 2015

Friday's Forgotten Book: The Amateur Cracksman (E.W. Hornung)



A.J. Raffles periodically re-surfaces as a classic character of popular fiction, and just as quickly drops out of sight again, exactly as E.W. Hornung frequently describes him doing in the 26 short stories and single novel that he devoted to Raffles - about half the output that Arthur Conan Doyle produced about Sherlock Holmes. Hornung, famously, was married to Conan Doyle's sister, and patterned his stories of the gentleman thief and champion cricketer Raffles, and his sidekick Bunny Mander, after the Holmesian example, while inverting the moral system. Conan Doyle was flattered and praised the stories, but was also troubled by them: "You must not make the criminal a hero."

Of course, it's exactly this inversion that has always provided Raffles' fascination. Should we root for him or not? Hornung comes up with ways for us to do so rather painlessly, but still, it's a dicey business. Each new Raffles story you read raises the issue all over again, and that, obviously, is an awfully good fictional hook.



The Raffles - Bunny relationship is also, in a different sense, "inverted" - a whole lot gayer than the Holmes - Watson partnership. Hornung was friendly with Oscar Wilde and Lord Alfred Douglas, and is said to have based his duo partly on them. In the first Raffles story, "The Ides of March," a distinctly down-on-his-luck Bunny Mander is actually contemplating suicide over some gambling debts, but his old schoolmate Raffles persuades him that criminality is sometimes a better course of action than giving into depression. To become Raffles' partner-in-crime for the rest of the series, Bunny has to get off on shared improper behavior, and boy does he:

I'll do it again...I will...I'll lend you a hand as often as you like! What does it matter now? I've been in it once. I'll be in it again. I've gone to the devil anyhow. I can't go back, and wouldn't if I could. Nothing matters another rap! When you want me I'm your man.

If no sexual interpretation occurs to you while you are reading that, you have a cleaner mind than mine.

The first 16 Raffles stories were collected in two volumes of eight stories apiece, The Amateur Cracksman (1899) and The Black Mask (1901). Wordsworth Classics reprinted all these in one volume, Raffles: The Amateur Cracksman, in 1994, and it was in this form that I read and was delighted by them.

These first two volumes of Raffles stories are decidedly different from each other, because at the end of the first, Raffles disappears and Bunny is packed off to prison. Their adventures after their reunion in the second collection cannot have the same carefree tone as before, and indeed do not, a fact that some decried as a diminution of the original impulse, but which I simply read as fictional development. Things have to happen in stories, as in life, and in good fictional series, the author follows through on the consequences of them happening. 

Raffles comes to a rather improbable glorious end fighting in the Boer War in the last of these 16 stories, and when Hornung decided to revive the character with 10 more stories in A Thief in the Night in 1905, and a single novel Mr. Justice Raffles in 1909, he didn't "bring him back to life" a la Conan Doyle's "The Adventure of the Empty House," but set the stories in a period before Raffles' demise a la The Hound of the Baskervilles.

Raffles has been incarnated by at least 13 actors on screen and television, including John Barrymore, Ronald Colman, and David Niven. Anyone who can play elegant-but-larcenous has been eligible. Cary Grant would have worked.



There is a lot more to Hornung than Raffles: he published 28 volumes of fiction altogether, and quite a number of them are set in Australia, where he spent two formative years during his late adolescence. I am eager to get to those, and most of them are available at Project Gutenberg, the Internet Archive, Project Gutenberg Australia, and ebooks@Adelaide.

Raffles, the Amateur Cracksman (Wordsworth Classics)

Wednesday, May 6, 2015

Birthday: Christian Morgenstern (1871-1914)



Everybody is writing about the 100th anniversary of Orson Welles' birth today, and I love Orson too, but rather than join the pile-on, let me talk about someone else. The German Christian Morgenstern is one of the greatest "nonsense poets" in any language; that sort of poetry is of course difficult to translate, but still, why Morgenstern isn't better known in the English-speaking world is a persistent mystery. Max Knight, among others, has done fine English versions of Morgenstern's Gallows Songs:

Die unmögliche Tatsache

Palmström, etwas schon an Jahren,
wird an einer Straßenbeuge
und von einem Kraftfahrzeuge
überfahren.

"Wie war" (spricht er, sich erhebend
und entschlossen weiterlebend)
"möglich, wie dies Unglück, ja- :
daß es überhaupt geschah?

"Ist die Staatskunst anzuklagen
in Bezug auf Kraftfahrwagen?
Gab die Polizeivorschrift
hier dem Fahrer freie Trift?

"Oder war vielmehr verboten,
hier Lebendige zu Toten
umzuwandeln, -kurz und schlicht:
Durfte hier der Kutscher nicht-?"

Eingehüllt in feuchte Tücher,
prüft er die Gesetzesbücher
und ist alsobald im Klaren:
Wagen durften dort nicht fahren!

Und er kommt zu dem Ergebnis:
Nur ein Traum war das Erlebnis.
Weil, so schliesst er messerscharf,
nicht sein kann, was nicht sein darf.

The Impossible Fact

Palmstroem, old, an aimless rover,
walking in the wrong direction
at a busy intersection
is run over.

"How," he says, his life restoring
and with pluck his death ignoring,
"can an accident like this
ever happen? What's amiss?

"Did the state administration
fail in motor transportation?
Did police ignore the need
for reducing driving speed?

"Isn't there a prohibition,
barring motorized transmission
of the living to the dead?
Was the driver right who sped . . . ?"

Tightly swathed in dampened tissues
he explores the legal issues,
and it soon is clear as air:
Cars were not permitted there!

And he comes to the conclusion:
His mishap was an illusion,
for, he reasons pointedly,
that which must not, can not be.

The Gallows Songs: Christian Morgenstern's Galgenlieder, A Selection (English and German Edition)

Tuesday, May 5, 2015

Birthdays: Actors



It is very easy to think of privileged moments that a number of actors born today have shared with me:

Jean-Pierre Leaud (born 1944): Repeating "Antoine Doinel, Antoine Doinel, Antoine Doinel" into the bathroom mirror in Francois Truffaut's Stolen Kisses.

 

Michael Murphy (born 1938): Giving Jack Tanner's big off-the-cuff speech to his staff, captured on film unbeknownst to him, in Robert Altman's and Garry Trudeau's tremendous mini-series Tanner '88.

 

Vincent Kartheiser (born 1979): Dancing up a storm in perhaps the single most joyous scene in the entire run of Mad Men.

 
MAD MEN - Pete and Trudy Charleston - 3.03 por Bilindik_Hikayeler

Tyrone Power (1914-1958): Struggling with how to save the most lives in a severely overcrowded lifeboat in Richard Sale's brilliant Abandon Ship!



Richard E. Grant (born 1957): Doing the "elevator pitch" for the death-penalty thriller Habeas Corpus in Altman's The Player, a scene that will reverberate throughout the rest of the movie. (Tim Robbins' reactions here are priceless, too.)



Roger Rees (born 1944): On stage as Dickens's Nicholas Nickleby in the eight-hour Royal Shakespeare Festival production, one of my great theatrical memories.

 

Francois Truffaut's Adventures of Antoine Doinel (The 400 Blows / Antoine & Collette / Stolen Kisses / Bed & Board / Love on the Run) (The Criterion Collection)

Tanner '88 (The Criterion Collection)

Mad Men: Season 1

Seven Waves Away ( Abandon Ship (Seven Seas Away) ) ( Seven Days from Now (7 Waves Away) ) [ NON-USA FORMAT, PAL, Reg.2 Import - Spain ]

The Player (Special Edition) (New Line Platinum Series)

The Life and Adventures of Nicholas Nickleby

Monday, May 4, 2015

Kent State



It might have slipped my mind that May 4 is the 45th anniversary of the killings at Kent State, but for an excellent post at Dangerous Minds that includes an interview with wounded survivor Alan Canfora:

On the 45th anniversary of the Kent State massacre, a talk with one of the students who got shot



A book I've read and can recommend about Kent State is William A. Gordon's The Fourth of May: Killings and Coverups at Kent State (which exists in another published version as Four Dead in Ohio). It should be said, though, that Alan Canfora would NOT approve of this recommendation, as there is bad blood between him and Gordon over differing interpretations of the events, mixed with sheer mutual dislike. Although Gordon was not present on May 4, he transferred to the university shortly thereafter, and became a dogged researcher into what happened that day. It is certainly sometimes the case that stakeholders of various kinds will bicker intensely over "ownership" of a tragedy. Both Gordon and Canfora seem to me to be judicious enough - but not about each other.



People still fight about Kent State because it lives in the public consciousness. Two parallels to it are much less well-known. The encounter between police and students at historically black Jackson State College in Mississippi, which resulted in two dead (a university student and a high school student) and 12 wounded (as compared to four and nine in Ohio), took place just 11 days after Kent State, and was swallowed in news terms by it. But the events were uncannily similar in some ways.

Both began as student protests of the U.S. invasion of Cambodia. The shooting officers in both cases stated that they were being threatened by snipers, although no proof of sniper fire was ever uncovered, and the suggestion of it seemed to be transparently aimed at assisting in a cover-up. At Kent State, 67 shots were fired over 13 seconds; the most sustained shooting at Jackson State involved more than 140 shots fired over 30 seconds straight at Alexander Hall, a women's dormitory.

'Ten Days Later' - Kent State... What about Jackson State's Tragedy?



If the Jackson State killings are somewhat obscure but at least occasionally mentioned in connection with Kent State, then the "Orangeburg massacre" two years prior is practically unknown.

This took place at another historically black college, South Carolina State University, in February 1968. Students had been protesting the failure of a local bowling alley owner to allow African-Americans in his facility. On the night of February 8, highway patrolmen shot repeatedly into a crowd of protesters on the SCSU campus, killing three (two university students and a high school student) and injuring 30 or more. In what would come to be a familiar pattern, the policemen claimed that they were under weapons fire, although no evidence to this effect was ever offered. Over and over, phantom shots by non-officers are used as a pretext for real shots by officers.

In all three of these campus protest incidents, a few rocks and other objects were certainly thrown at officers, and although tensions were running high, I would not minimize that. However, there is no evidence whatsoever of greater provocation by the students.

Whenever armed officers of the government start firing at unarmed citizens - the Champs de Mars Massacre in France (July 1791), Bloody Sunday in Russia (January 1905), the Amritsar Massacre in India (April 1919), the Tlatelolco Massacre in Mexico (October 1968) - that is a sign that the government has lost whatever legitimacy it may have had, and that matters will probably get worse before they get better.

One could argue that the negative example of Kent State semi-permanently chastened student (and not just student) exercise of free speech and the right to assembly in the United States right up until today. Who wants to get killed for speaking up?  

The Fourth of May: Killings and Coverups at Kent State

Lynch Street: The May 1970 Slayings at Jackson State College

The Orangeburg Massacre

The Legacy of the Orangeburg Massacre

Birthday: Rory McIlroy (born 1989)



The best golfer in the world turns 26 today, after a commanding performance in the WGC-Cadillac Match Play Championship this weekend, winning seven matches in a row (exhausting!) en route to his victory. Although I was rooting for Gary Woodland in the final match - it would have been by far the biggest victory of his career - I am never displeased to see Rory win, either. He is amazing.

After witnessing 21-year-old [Jordan] Spieth’s towering achievement at Augusta, winning from wire to wire, McIlroy was responding in kind, laying down his own substantial marker as the season builds towards the second major of the year, the US Open at Chambers Bay next month. “I think everyone, not just me, but everyone on Tour was inspired seeing Jordan do what he did at Augusta,” he said.

Rory McIlroy celebrates 26th birthday with victory in the WGC Match Play